Several weeks ago (in February, to be precise) I assembled a chorus and premiered a piece of a Westminster composer, AD. It was an excellent piece, with a Shakespeare text and a rock-piano accompaniment. She entered that piece in a competition, and today found out that she won first place! The New York Treble Singers will perform (not premiere, baby, b/c that was me!) it on April 3 - I'm hoping to attend the concert, but it means I have to reschedule rehearsal.
Do I know how to pick 'em, or what? :)
It was a good day for mail today. Normally I don't like mail, b/c it's just more paper to deal with, but today brought goodies. My CD of the Berlioz Damnation of Faust arrived today, and I went through the chorus parts with my score. I have to learn it on my own, b/c while I'll be performing it with Symphonic Choir and the New York Philharmonic next week, I've been rehearsing with the other division of Symphonic Choir. I think I'll be OK, but the French is really tricky. Luckily, Romantic notions do not allow for women to be part of soldiers' choruses, students' choruses, or demons' choruses, so that happily subtracts from the large swathes of French I have to learn.
I also received a beautiful wedding invitation (alas, for a wedding I doubt I'll be able to attend), a bunch of free sample octavos (single pieces of music) for women's chorus that I signed up for at the ACDA convention, and a job posting announcement for a community chorus in Philly. I think I may apply. If I knew I wouldn't get the job, I would definitely apply for the experience, but I'll have to talk to DM about whether or not he thinks it's feasible if I was chosen. It is only one rehearsal a week. It'd be a great opportunity, but it might mean committing to staying in the Philadelphia area after graduation. I'd also probably have to sign up for Zipcar. *plotplanplotplan*